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14 documents have been found of type Essay o Sculpture.

Fallujah

2004 - Sculpture

Fallujah

Equal-Parallel: Guernica-Bengasi

1986 - Sculpture

Equal-Parallel: Guernica-Bengasi

Hommage à Guernica de Picasso

Ca. 1937-1947 - Sculpture

Hommage à Guernica de Picasso

Lucy R. Lippard, <em>Six Years: The dematerialisation of the art object from 1966 to 1972</em> [1973], Berkeley: University of California Press, 1997

New York: Praeger Publishers Inc., 1973 - Essay

Six Years: The Dematerialization of the Art Object from 1966 to 1972

Jacques Derrida, “Archive Fever: A Freudian Impression”, <em>Diacritics</em>, Baltimore: The Johns Hopkins University Press, vol. 25, no. 2 (summer, 1995): 9–63

<em>Diacritics</em>, Baltimore: The Johns Hopkins University Press, vol. 25, no. 2 (summer, 1995): 9–63 - Essay

“Archive Fever: A Freudian Impression”

Hal Foster, “An Archival Impulse”, <em>October</em>, no. 110, Cambridge (MA): The MIT Press (autumn, 2004): 3

<em>October</em>, no. 110, Cambridge (MA): The MIT Press (autumn, 2004): 3–22 - Essay

“An Archival Impulse”

Okwui Enwezor, “Archive Fever: Photography between History and the Monument”, in <em>Archive Fever: Uses of the Document in Contemporary Art</em>, New York: International Center of Photography, exh. cat., 2008, 11-51

<em>Archive Fever: Uses of the Document in Contemporary Art</em>. New York: International Center of Photography, exh. cat., 2008, 11–51 - Essay

“Archive Fever: Photography between History and the Monument”

Front cover of the book <em>Maria Eichhorn. The Artist's Contract</em>, Gerti Fietzek (ed.), Cologne: Buchhandlung Walther König, 2009

Gerti Fietzek (ed.), Cologne: Buchhandlung Walther König, 2009 - Essay

Maria Eichhorn. The Artist's Contract

“How Effective Is Social Protest Art? (Vietnam)”, in Jeanne Siegel (ed.), <em>Artwords: Discourse on the ‘60s and ‘70s</em>, Ann Arbor: UMI Research Press, 1985, 100-101

Jeanne Siegel (ed.), <em>Artwords: Discourse on the ‘60s and ‘70s</em>, Ann Arbor: UMI Research Press, 1985, 101-119 - Essay

“How Effective Is Social Protest Art? (Vietnam)”

Cover of the book <em>Picasso’s Guernica</em>, Ellen C. Oppler (ed.), New York and London: W. W. Norton & Company, 1988

Ellen C. Oppler (ed.), <em>Picasso’s Guernica</em>, New York and London: W. W. Norton & Company, 1988, 236–238 - Essay

“How Effective Is Social Protest Art? (Vietnam)”

Cover of the Francis Frascina's book <em>Art, Politics and Dissent: Aspects of the Art Left in Sixties America</em>, Manchester and New York: Manchester University Press, 1999

Manchester and New York: Manchester University Press, 1999 - Essay

Art, Politics and Dissent: Aspects of the Art Left in Sixties America

Cover of the book by Howard Jones <em>My Lai: Vietnam, 1968, and the Descent into the Darkness</em>, Oxford: Oxford University Press, 2017

Oxford: Oxford University Press, 2017 - Essay

My Lai: Vietnam, 1968, and the Descent into the Darkness

Essay by Francis Frascina, <em>Retort, Guernica, the 2006 Biennial of Seville, and Anti-War Protests</em>, July 2018

Essay, July 2018 - Essay

Retort, Guernica, the 2006 Biennial of Seville, and Anti-War Protests

Cover of the book <em>American Visual Cultures</em>, David Holloway and John Beck (eds.), New York: Continuum, 2005

David Holloway and John Beck (eds.), <em>American Visual Cultures</em>, New York: Continuum, 2005, 190–198 - Essay

“New Modes of Dissent in Art of the 1960s and 1970s: Visual Culture and Strategies of Resistance: from Semina to Heresies”