Kill Lies All | Repensar Guernica

The return of Guernica to Spain, 2012. Charcoal drawing on wall. 350x800 cm.Exhibition Kill lies all, Newman Popiashvili Gallery, New York.

The return of Guernica to Spain, 2012. Charcoal drawing on wall. 350x800 cm.Exhibition Kill lies all, Max Estrella Gallery. Madrid.

Detail of The return of Guernica to Spain, 2012. Charcoal drawing on wall. 350x800 cm.Exhibition Kill lies all, Max Estrella Gallery. Madrid.

Kill Lies all. Installation view Newman Popiashvili Gallery, New York

Serie Estrujados (Guernica XXL), 2010. Felt-tip pen on indestructible paper, trash bag and carton box. 350 x 778 cm.Crumple version.

Kill Lies all. Installation view Newman Popiashvili Gallery.

Kill Lies all. Installation view Max Estrella Gallery. Kill Lies all.

Minerva Adana Printer, iron base and The Times and Azul newspapers flyers.

Flyers extract from The Times newspaper and The Azul newspaper. Print on newspaper with Minerva Adana Printer.

Mould of The Times newspaper and The Azul newspaper.

Flyer extract from The Azul newspaper. Print on newspaper with Minerva Adana Printer.

Flyer extract from The Timesnewspaper. Print on newspaper with Minerva Adana Printer.

Tony Shafrazi, Under arrest (Positive version), 2012. Propelling pencil on newspaper, 60 x 80 cm.

Tony Shafrazi, Under arrest (Negative version), 2012. Propelling pencil on newspaper, 60 x 80 cm.

Tony Shafrazi. Guernica´s Cake (Positive version), 2012. Propelling pencil on newspaper, 60 x 80 cm.

Tony Shafrazi. Guernica´s Cake (Negative version), 2012. Propelling pencil on newspaper, 60 x 80 cm.

Kill Lies all. Installation view Max Estrella Gallery .

La voix d´un mort accuse la presse qui ment, 2012. Propelling pencil on newspaper, 70 x 90 cm.

Track record Guernica, 2012. Military case. 12 Dry points, 1/3, 120 x 60 x 70 cm.

Cromlechs in Oyarzun (Guipúzcua), 2012. Drypoint print, 1/9, 39x46,5 cm.

Incendiary bombs are dropped againnst a civilian population for the first time. Gernika 26 of April 1937, 2012. Drypoint print, 1/9, 39x46,5 cm.

Line around the Reina Sofia Museum in Madrid, 2012. Drypoint print, 1/9, 39x46,5 cm.

"Pablito" scaning Guernica, 2012. Drypoint print, 1/9, 39x46,5 cm.

Somebody painted Guernica in the foundations of the Guggenheim Bilbao, 2012. Drypoint print, 1/9, 39x46,5 cm.

Return of Guernica to Spain, Madrid 10 September 1981, 2012. Drypoint print, 1/9, 39x46,5 cm.

Mujer con hacha (1874) with the motto "if the famous tree of Guernica bears this fruit, we will not let it bud again"

Bilbao´s bar, 2012. Drypoint print, 1/9, 39x46,5 cm.

Incendiary and white phosphorus weapons used in Fallujah, Irak, 2012. Drypoint print, 1/9, 39x46,5 cm.

Art Worker´s Coalition staged a protest at MOMA, 1970, 2012. Drypoint print, 1/9, 39 x 46,5 cm.

Prisioneros Libaneses en la prisión Haraden en Israel, 2012. Punta seca, 1/9, 39 x 46,5 cm.

Tapestry version of Guernica in the UN has been covered over because Colin Powell is giving a briefing to the pres about the war in Iraq where literallly much was being covered up, 2012. Drypoint print, 1/9, 39 x 46,5 cm.

Author:

Javier Arce

Year:

2012

Medium:

Drawing

Archived in:

http://javierarce.net

© Javier Arce

Stories:

Expanded Geography The Painting’s De-hierarchization A Key Museum Component

Related topics:

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Kill Lies All

Alexander Calder's letter to Willem Sandberg, dated 22 November 1955

Roxbury, 22 November 1955 - Institutional correspondence

Alexander Calder's letter to Willem Sandberg, dated 22 November 1955

A letter from Roland Dumas to William S. Lieberman, dated 12 November 1969

Paris, 12 November 1969 - Institutional correspondence

A letter from Roland Dumas to William S. Lieberman, dated 12 November 1969

Carta de Juan Larrea a Roland Penrose

Paris, 12 February 1938 - Institutional correspondence

Juan Larrea's letter to Roland Penrose

EN Telegrama de Sidney Janis a la Fine Arts Gallery of San Diego

New York, 4 August 1939 - Institutional correspondence

Sidney Janis's telegram to the FIne Arts Gallery of San Diego