New York: Praeger Publishers Inc., 1973
Six Years: The Dematerialization of the Art Object from 1966 to 1972
In format and coverage, Lucy Lippard’s radical book destabilised existing conventions of anthologies, document collections, bibliographies, and archival resources as informed by conceptual art, contemporary countercultural politics and the productive chaos of artist’s groups and coalitions that sought alternatives to the heroic hierarchies of museums and galleries.
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Six Years: The Dematerialization of the Art Object from 1966 to 1972