Marxist Perspectives, New York, vol. 1, no. 4 (winter, 1978): 28–51
“The Museum of Modern Art as Late Capitalist Ritual: An Iconographic Analysis”
Carol Duncan and Alan Wallach’s text contributes to revisionist analyses of MoMA as a “contested site” and the ways in which institutional assumptions about identity, gender and race are encoded in exhibition displays that condition visitor experiences. Libraries and archives can be similarly decoded.
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“The Museum of Modern Art as Late Capitalist Ritual: An Iconographic Analysis”