New York, October 8, 1992 and April 16, 1997 - Interview Extracts of Francis Frascina in conversation with Jon Hendricks
Communiqué, Seville, February 1, 2006 - Release ¡otra BIACS ¿será posible?! (another BIACS! will be possible?) and Manifesto
Communiqués, Seville, May 30 and June 30, 2005 - Release ¡otra ¿BIACS? es posible! (another BIACS? is possible!)
Seville, June 23, 2006 - Release Communiqué by the Plataforma de Reflexión sobre Políticas Culturales (Platform of Reflection on Cultural Policies, PRPC)
Seville, July 19, 2006 - Release Communiqué by the Plataforma de Reflexión de Políticas Culturales (Platform of Reflection on Cultural Policies, PRPC)
Communiqué, Seville, October 23, 2006 - Release ¿otra BIACS…? ¡SERÁ POSIBLE! (another BIACS…? WILL BE POSSIBLE!)
Francis Frascina (ed.), London: Routledge, 2000 - Book Pollock and After: The Critical Debate. Second Edition
Manchester and New York: Manchester University Press, 1999 - Essay Art, Politics and Dissent: Aspects of the Art Left in Sixties America
<em>Journal of Curatorial Studies</em>, Toronto, vol. 2, no. 1 (February 1, 2013): 2–31(30) - Article “Berlin, Paris, Liverpool: ‘Biennialization’ and Left Critique in 2012”
Flyer, Seville, April 2010 - Publication Es como EL TRABAJO, que no le puede gustar a todo el mundo (It’s like WORK, which is not to everybody’s liking)
David Holloway and John Beck (eds.), <em>American Visual Cultures</em>, New York: Continuum, 2005, 190–198 - Essay “New Modes of Dissent in Art of the 1960s and 1970s: Visual Culture and Strategies of Resistance: from Semina to Heresies”
Action protest, Seville, October 26, 2006 - Video BIACS no. Arte todos los días (No BIACS. Art Every Day)